Folk Harp Association of
the Netherlands

Netherlands Folk Harp Society
A brief history of the NFHV.
A great many people in the Netherlands are involved in the folk harp. The folk harp,
sometimes referred to as the small harp, the lever harp or
Celtic harp, is an instrument popular with both young and old. Some start on
the folk harp at a young age in music school or with a private teacher; others build up
their knowledge with the occasional workshop or course and develop their playing in small
groups or bands, while still others are entirely self-taught. There are also harp players
who have been away for the instrument for years and want to start playing again. Whatever
their motivations, all these people are interested in being in contact with other harp
players and exchanging knowledge. Contact with other players keeps you inspired and gives
you an always fresh perspective on making music and playing the harp.
This need for contact with each other and exchanging knowledge on all things folk harp was
the seed of the NFHV. The early days of any society involve never-ending phone calls with
fellow enthusiasts to warm people up to the idea. And, of course, the never-ending search
for volunteers. With tremendous effort and dedication, Wil Kramer, the initial driving
force behind the NFHV, got it all started. The setting up of this first network became the
foundation of the NFHV. The list of people interested kept growing, and more and more harp
teachers saw the need for a society and got involved. The first harp sessions, for players
to meet and play together, were organised, and the first newsletter was put together and
mailed out. In October 1995, the Netherlands Folk Harp Society was born.
From that time forward, the NFHV slowly but surely proved itself. The ranks of the members
gradually grew; the newsletter was dubbed FOLK HARP, FOLKS! and became the face of the
society. The NFHV became affiliated with Unisono, an organisation for the promotion of
amateur music. This affiliation facilitates cooperation with other amateur music
organisations easier, and today it allows us as a society to participate in activities in
a larger context, such as National Folk Music Day or DGMD, de Grote Muziek Dag (The
Big Music Day). The celebrated its fifth anniversary in 2000 with an Open Day in
March, with a focus on profiling the society externally, and a second day in November, in
which we presented a special programme for the members. The NFHVs tenth anniversary
(with workshops and concert was celebrated on Saturday, October 1st 2005, in Ellecom,
because Ank van Campen (the chair of the society and a harper who has been there from the
very beginning) lives there. Ellecom has been the site of many other very successful harp
events, because the area is always inspiring, the community gets involved and everyone is
always happy to enjoy another harp concert in Ellecoms beautiful church. There were
workshops and a concert by two harpers, both of whom have also been mainstays from the
very beginning: Anne Macdearmid of Aberdeen, Scotland. Anne has been present with her
music every year for 27 years and tirelessly teaches at harp weekends. And Julia Stegeman,
who was also there at the first harp weekend in 1972 (at age 9, a student of Ank).
Together, Anne and Julia make a matchless duo.
On the occasion of this anniversary, the society published a music book bringing together
all the harp music ever published in the society's newsletter in a single volume.
Board of Directors
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In countries such as Ireland and Scotland the folk harp is an
instrument with a deep cultural history. In those countries it is still a popular
instrument played in pubs as well as for special events. In the Netherlands, the interest
in the folk harp and the number of people playing the instrument have sharply increased in
recent years. The repertoire of the folk harp offers a wide range of styles, including
classical, modern, folk, pop and jazz, and the variety continues to grow.
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